An interesting note about dealing with doors in Inform 7. I’m having to come up with unique names to identify the individual rooms/locations in the game. While it’s possible for me to use designations like “location001,” “location002,” etc. and then assign display names with the “printed name” command, that’s not as useful to me from an ease-of-review programming methodology. So I’m having to come up with some fairly lengthy yet nicely descriptive names.
All this makes me realize how many doors I have in the game. The Governor’s Palace alone is four stories (including a basement), and it has a whole lot of bedchambers that need unique names, for example.
But at least the players will be able to open and close doors in the game–at least those that aren’t locked. Or hidden.
If so, this primer by Andrew Plotkin will give you an introduction. The handy-dandy reference card is especially helpful.
A quick update: there is a new playable version of the game available for backers of the original Kickstarter project. Here’s what I shared in a message to the backers (removing the access instructions for the actual game).
This version includes some minor navigation/map description updates. The main change here is in the addition of some non-player characters (NPCs).
The NPCs are implement in a very basic capacity, and they are not in their final game locations. Dialog is limited, but you can test them out using the “ask [character] about [noun]” format. You will find:
- a farmer – in the Palace Green. You can use the command “ask the farmer about Anderson’s” when you encounter him to see what happens.
- a cordwainer – ask him about shoes when you find him.
- George Wythe (no dialog)
- Thomas Jefferson
- Patrick Henry
For Jefferson, Henry, and the farmer, there is additional dialog, but I won’t say here. It’s not likely you’ll be able to guess what to ask them about (though if you know Williamsburg histry you may be able to figure it out). Don’t worry about that, as the context of the game events will give you clues/hints.
In the meantime, if you do playtest (or even if you don’t), feel free to let me know what kinds of things (nouns) you might ask about and expect to get some sort of answer. Your feedback will give me good player’s perspective.
More NPCs will be added, along with greater dialog vocabulary. Other considerations will be making dialog dependent on time of day, location, and even what the player may have learned from other characters or in discovering certain things about the environment. NPCs will not be “stuck” in the same location, and the time of day will determine where they are.
While historical Williamsburg (as managed by the Colonial Williamsburg Foundation) has been my focus, there are other historical communities, sites, and museums that are definitely worth visiting. A few that I want to mention here are
- Deerfield, Massachussetts – an authentic 18th-century New England village in the Connecticut River Valley of Massachusetts
- Gettysburg, Pennsylvania – site of one of the most famous battles of the American Civil War
- Monticello – Thomas Jefferson’s home and plantation in Charlottesville, Virginia
- Mount Vernon – The Virginia home to the first President of the United States, George Washington
- Winterthur, Delaware – a rich museum of American decorative arts that reflects both early America and the life of the du Pont family
Progress on the Historical Williamsburg Living Narrative continues. Three plot-level releases are planned: a walk-through version focused on the Williamsburg physical layout, an exploratory version including interaction and discovery with historical characters, and narrative version that is constructed around the removal of the gunpowder supply from the magazine.
The following two screenshots represent what the player will first encounter regardless of the version of the game being played. First is the pre-game opening screen that appears before the player provides any input. As you can see, it sets up a little bit of the story framework by providing some background on the player character and context on how he comes to be in Williamsburg.
The second screenshot depicts the description the player gets the second time this location is visited. (The first version of the description has some additional information and is displayed as soon as the player presses the Space bar at the intro screen.) As you can see, the command “see” was entered after the text description. The way the HWLN game is being implemented, graphic images will be provided at many locations; however, in order to display the images, the player must enter the “see” command at the prompt. The images themselves are based on my actual photography of Williamsburg.
While I’m doing Glulxe testing, I thought I’d take one more screen shot of the game, this one all text. This is right after the game intro screen comes up, and the player presses the space bar to get into the game proper.
You’ll notice the first command issued by the player is followed by more descriptive text. “More” is a custom command I’ve added to the system that displays more detailed information about the location surroundings. Ultimately, it’s all to help the player make sense of the game.