Getting from Here to There: A Matter of Scale
One of the great joys of playing Interactive Fiction games is in the discovery and exploration of the physical space or actual play environment of the game. Years ago when I played the Colossal Cave Adventure for the first time (on the Data General Eclipse computer at the office after hours), I delighted in drawing maps for all the locations and paths that were available. When I got to the maze area, where room exits looped back into the same room, the value of the mapping process became very clear. Those skills were well utilized as I grew into the Scott Adams adventure games, and later the collection of games from Infocom. Sketching out the location boxes with their associated path connections became second nature as a necessary Interactive Fiction player skill. (I am often surprised when I teach Interactive Fiction to college game design students, how few of them already know or readily develop the map-making skill set.)
Developing maps for IF is a slightly different process, though, that requires more than drawing boxes with interconnecting lines. There is the idea of location scale and relative size in IF games, and the developer needs to make some important decisions before committing to computer code. Locations are not all uniform in size (when we imagine our settings), and logical layout is not the same as physical layout. When dealing with fictional settings, there is some latitude for interpretation (though the good designers have a very clear picture of their environment before starting to code). However, there is no room for creative interpretation when attempting to recreate historical settings with absolute fidelity to the historical reality.
That’s our situation with the Historical Williamsburg Living Narrative. A large part of the questions could be framed around geographic granularity: as we build the maps, what is the smallest unit of measurement we should be using? (A square yard seems reasonable, actually.) There will be the typical Interactive Fiction flex in the maps; for example, walking down one side of a street may result in more “stops” along the way than walking up the other side. That would have much to do with the buildings or other pathways located on each side. But the point is, we need to make consideration of the space or area that needs to be “reserved” for game locations in which action may (or may not) take place.
I’m making my sketches now, and that will be one of the first pieces of the game that will be ready for review (we may even put that up on Playfic for people to try out). Do you have any suggestions regarding map making? Is that something you enjoy doing? If you’d like to contribute in some way on this (or any other) piece of the project, please drop me a line.
And don’t forget to check out the Historical Williamsburg Living Narrative Kickstarter project.
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